Last Gasp of Springfield

Springfield residents react to the news of Mr Burns passing showing a mix of shock and uncertainty
Last Gasp of Springfield
series finale
The Simpsons
death of Mr. Burns
Smithers Protocol
Character | Voice Actor | Description |
---|---|---|
Homer Simpson | Dan Castellaneta | The well-meaning but often inept patriarch of the Simpson family, grappling with the implications of Burns's death for his job and Springfield's future. |
Marge Simpson | Julie Kavner | The compassionate and pragmatic matriarch, serving as the moral compass of the family and community during the town's transition. |
Bart Simpson | Nancy Cartwright | The mischievous and rebellious son, initially excited by the chaos of Burns's absence but ultimately maturing and contributing to a positive outcome. |
Lisa Simpson | Yeardley Smith | The intelligent and idealistic daughter, advocating for sustainable solutions and community empowerment in the wake of Burns's death. |
Maggie Simpson | Nancy Cartwright | The baby of the family, representing the future generation of Springfield and a symbol of hope amidst change. |
Waylon Smithers | Harry Shearer | Mr. Burns's loyal assistant, the architect of the "Smithers Protocol" and a key figure in the unfolding drama. |
Charles Montgomery Burns | Harry Shearer | The deceased antagonist, whose legacy and will trigger the central conflict of the episode, appearing primarily in pre-recorded holographic messages and flashbacks. |
Lenny Leonard | Harry Shearer | Homer's coworker and friend, navigating the uncertainties of the power plant's future and worker solidarity. |
Carl Carlson | Hank Azaria | Homer's coworker and friend, sharing Lenny's anxieties and hopes for the post-Burns era. |
Chief Wiggum | Hank Azaria | Springfield's inept police chief, struggling to maintain order during the chaotic town hall meetings. |
Mayor Quimby | Dan Castellaneta | Springfield's corrupt mayor, attempting to capitalize on Burns's death and consolidate his own power. |
Moe Szyslak | Hank Azaria | Springfield's cynical bartender, offering pragmatic insights into the town's changing dynamics. |
Patty Bouvier | Julie Kavner | Marge's cynical sister, seeing Burns's death as an opportunity for civic improvement and potentially political influence. |
Selma Bouvier | Julie Kavner | Marge's equally cynical sister, aligned with Patty in her civic ambitions. |
Ned Flanders | Harry Shearer | Springfield's devout neighbor, advocating for a morally guided approach to managing Burns's legacy and emphasizing community values. |
Milhouse Van Houten | Pamela Hayden | Bart's best friend, providing comedic relief and a relatable perspective on the unfolding events from the viewpoint of Springfield's youth. |
Nelson Muntz | Nancy Cartwright | Springfield's bully, reacting to the power shifts in his own typically sardonic and opportunistic manner. |
Principal Skinner | Harry Shearer | Springfield Elementary's beleaguered principal, attempting to maintain order and educational standards amidst the town's upheaval. |
Comic Book Guy | Hank Azaria | Springfield's sardonic comic book store owner, offering his uniquely cynical commentary on the socio-political developments. |
Dr. Hibbert | Harry Shearer | Springfield's genial family doctor, providing a voice of calm and reason amidst the town's anxieties. |
Dr. Nick Riviera | Hank Azaria | Springfield's quack doctor, offering his typically ill-advised and humorous medical opinions on the situation. |
Krusty the Clown | Dan Castellaneta | Springfield's jaded entertainer, reflecting on Burns's legacy from the perspective of Springfield's entertainment industry and cultural landscape. |
Sideshow Bob | Kelsey Grammer | Bart's nemesis, appearing at the will reading and potentially seeking to exploit the chaotic situation for his own nefarious purposes, though ultimately sidelined by the larger community drama. |
Lionel Hutz | Phil Hartman (archive audio) | Springfield's incompetent lawyer, making a posthumous cameo appearance via archived audio, adding a touch of nostalgic humor and legal absurdity to the will reading. |
"Last Gasp of Springfield" is the presumed series finale of the long-running animated sitcom The Simpsons. The episode, envisioned as a poignant yet humorous conclusion to the saga of Springfield and its most famous family, centers around the unexpected passing of the town's perennial antagonist, Charles Montgomery Burns, and the subsequent upheaval his absence causes in the lives of Springfield's residents. The narrative explores themes of legacy, change, community, and the enduring spirit of the Simpsons family in the face of transformative events. It aims to provide a sense of closure to the numerous storylines and character arcs developed throughout the show's history, while maintaining the satirical and comedic tone that has defined The Simpsons for decades.
Synopsis
The episode opens in the familiar setting of Mr. Burns's opulent mansion. However, the usual scenes of avarice and exploitation are replaced by an uncharacteristic stillness. Smithers, ever-loyal and slightly disheveled, is discovered attempting to rouse Mr. Burns for his daily routine of corporate malfeasance and societal manipulation. It quickly becomes apparent that Mr. Burns is unresponsive, his frail body finally succumbing to the cumulative effects of age, radioactive exposure, and countless near-death experiences. His passing, while anticipated by many in Springfield, still sends ripples of shock and uncertainty through the town.

The news of Burns's demise spreads rapidly through Springfield, eliciting a diverse range of reactions. At the Springfield Nuclear Power Plant, Homer Simpson and his colleagues, Lenny and Carl, initially celebrate what they perceive as liberation from their tyrannical boss. Their jubilation, however, is quickly tempered by anxieties about the future of the plant and their jobs under new, unknown management. Marge Simpson, ever the voice of reason, grapples with the moral complexities of Burns's legacy, recognizing the harm he inflicted upon the community while also acknowledging the economic engine he represented for Springfield. Bart Simpson, initially relishing the prospect of a Burns-less Springfield and the potential for unbridled mischief, soon confronts the unsettling reality of change and the void left by even a malevolent figure. Lisa Simpson, with her characteristic intellectual curiosity and civic-mindedness, sees Burns's death as an opportunity for Springfield to reinvent itself, to move away from its dependence on fossil fuels and corporate greed towards a more sustainable and equitable future, perhaps embracing the principles of Geo-Harmonious Urbanism. Maggie, too young to fully comprehend the gravity of the situation, mirrors the town's uncertain future, a silent observer to the unfolding drama.
The central plot thread of the episode revolves around the reading of Mr. Burns's will. Anticipation runs high in Springfield, with many residents harboring secret hopes of inheriting a portion of Burns's vast fortune or gaining control of his industrial empire. The will reading, presided over by a nervous and overwhelmed Lionel Hutz (in a cameo appearance facilitated by a legal loophole and perhaps a touch of otherworldly intervention), takes place in the grand hall of Burns Manor. A colorful cast of Springfield residents, including the Simpsons family, Smithers, Patty and Selma Bouvier, Chief Wiggum, Mayor Quimby, and even recurring antagonists like Sideshow Bob, gather to hear the contents of the document.
To everyone's surprise, Burns's will is not a straightforward distribution of wealth. Instead, it outlines a complex and somewhat bizarre plan, known as the Smithers Protocol. This protocol, conceived by Smithers in his decades of devoted service and perhaps a touch of quiet desperation, dictates that Burns's entire estate, including the nuclear power plant, Burns Manor, and his vast financial holdings, will be placed in a trust. The trust is not to be managed by a corporate entity or a distant relative, but rather by the citizens of Springfield themselves. The will stipulates that the town must collectively decide the future of Burns's assets through a series of town hall meetings and community votes, guided by a set of eccentric and often contradictory stipulations left behind by Mr. Burns in a series of holographic pre-recorded messages. These messages, delivered with Burns's characteristic sneer and pronouncements of utter disdain for humanity, add a layer of dark humor to the proceedings, ensuring that even in death, Mr. Burns continues to exert his influence, albeit in a strangely democratized fashion.
The Smithers Protocol throws Springfield into a state of both excitement and chaos. The prospect of controlling such immense resources ignites a spark of civic engagement, but also reveals the deep-seated divisions and conflicting interests within the community. The episode then follows the tumultuous process of Springfield attempting to collectively manage Burns's legacy. Town hall meetings become battlegrounds for competing visions of the town's future. Lisa Simpson champions renewable energy initiatives and community development projects, advocating for the dismantling of the nuclear power plant and its replacement with sustainable alternatives, drawing inspiration from real-world examples of Energy Transition Towns. Homer, initially bewildered by the whole process, finds himself unexpectedly drawn into the debates, his simple desires for job security and affordable donuts clashing with the grander ambitions of others. Bart, sensing an opportunity for chaos, attempts to manipulate the community votes for his own amusement, leading to a series of comical and often self-defeating schemes. Marge, as always, tries to mediate and guide the process towards a harmonious and equitable outcome, emphasizing the importance of family and community in navigating this period of transition.
Other Springfield residents also become deeply involved in the unfolding drama. Lenny and Carl, initially hopeful for better working conditions, find themselves caught in the crossfire between factions vying for control of the power plant, forcing them to confront the complexities of corporate power and worker solidarity. Chief Wiggum, tasked with maintaining order at the increasingly raucous town hall meetings, struggles to understand the nuances of democratic process, often resorting to his trademark blend of incompetence and misplaced authority. Mayor Quimby, ever opportunistic, attempts to exploit the situation for personal gain, maneuvering to position himself as the de facto leader of post-Burns Springfield, facing opposition from a surprisingly politically engaged Patty and Selma, who see the power vacuum as an opportunity to finally implement their long-held, if somewhat draconian, civic improvement plans. Moe Szyslak, surprisingly, becomes a voice of cautious pragmatism, recognizing the potential benefits and pitfalls of such a radical shift in Springfield's power structure, and offering his unique brand of cynical wisdom to the community. Even Ned Flanders, despite his initial reservations about the inherently secular nature of the proceedings, finds himself drawn into the community discussions, advocating for a morally guided approach to managing Burns's legacy, emphasizing principles of neighborliness and responsible stewardship, drawing parallels to the ethical frameworks of Kailyard Environmentalism.
As Springfield grapples with the Smithers Protocol, the episode interweaves flashbacks to key moments in Mr. Burns's life, offering glimpses into his past and providing a more nuanced, albeit still unflattering, portrait of the man. These flashbacks reveal moments of vulnerability, loneliness, and even hints of thwarted idealism buried beneath layers of avarice and misanthropy. They suggest that Burns's ruthlessness was perhaps not entirely innate, but rather a product of a complex interplay of personal traumas, societal pressures, and the corrupting influence of unchecked power. These moments of reflection do not excuse Burns's actions, but they add depth to his character and underscore the episode's broader themes about the complexities of human nature and the enduring impact of individual choices on communities.
The climax of the episode occurs during the final town hall vote, which will determine the ultimate fate of Burns's assets and the future direction of Springfield. The vote is closely contested, reflecting the deep divisions within the community. Bart, in a moment of unexpected maturity, realizes the gravity of the situation and, influenced by Lisa's passionate appeals and Marge's gentle guidance, decides to use his disruptive tendencies for a constructive purpose. He orchestrates a series of last-minute, albeit still mischievous, interventions to sway the vote towards a more progressive and community-oriented outcome, utilizing his knowledge of Springfield's quirky residents and their even quirkier voting habits.
The episode concludes with Springfield making a decisive choice about its future. While the specifics of the vote are left somewhat ambiguous, the overall tone suggests a positive shift towards greater community empowerment and sustainability. The nuclear power plant, while perhaps not immediately dismantled, is earmarked for a gradual transition towards renewable energy sources. Burns Manor is repurposed as a community center or museum, a symbolic transformation of a monument to individual wealth into a space for collective benefit. Springfield, while still retaining its inherent eccentricities and flaws, emerges from the experience with a renewed sense of civic responsibility and a stronger sense of community.
The final scene of the episode returns to the Simpsons family home at 742 Evergreen Terrace. Life has changed in Springfield, but the fundamental dynamics of the family remain reassuringly familiar. Homer, perhaps slightly more aware of the world beyond donuts and television, sits on the couch with Marge, Bart, Lisa, and Maggie. They are watching television, but the news broadcast is not about corporate mergers or political scandals, but about local community initiatives and Springfield's ongoing efforts to build a better future. The episode ends not with a definitive resolution, but with a sense of ongoing possibility, suggesting that even in the face of profound change, the spirit of Springfield, and the enduring bond of the Simpsons family, will continue to thrive, albeit in a slightly altered, and hopefully somewhat improved, form. The final shot lingers on the family, silhouetted against the warm glow of the television, as Maggie sucks contentedly on her pacifier, a silent symbol of hope for the future of Springfield.
Cast and Characters
The episode features a wide ensemble cast, encompassing the main Simpsons family and a host of recurring characters integral to the Springfield universe.

This extensive cast list ensures that "Last Gasp of Springfield" serves as a comprehensive farewell to the rich tapestry of characters that have populated the world of The Simpsons for so long, allowing for a multifaceted exploration of the episode's themes and a satisfying sense of closure for long-time viewers.